Different. That’s the first thing that comes to mind when you hear
singer Chris Cornell’s latest album, Scream.
It would appear that Cornell, best known as the lead singer of rock
outfits Soundgarden and Audioslave, has traded in his rock guitar
for some of the niftiest urban beats you can think of – thanks to
hip-hop producer Timbaland.
And despite its title, the album doesn’t have that much screaming
in it. In fact, if it weren’t for the fact that Cornell’s name is
on the cover, you’d probably think this was some new pop artiste.
While a lot of that might be attributed to him working with Timbaland,
Cornell, speaking from London where he was on a promotional tour,
pooh-poohed the idea that he had a “sound”.
“The death of most bands is because of constant repetition,” Cornell
told TODAY.
“Here’s what normally happens with a band that’s well known that tries
to come out with something different from what everyone expects: Usually
there’s some celebration based on that but very quickly after that
you’ll find the band and fans clamouring back to exactly what they
sounded like before.
“I’m not going to name names but I’ve seen that happen a lot,” he
said.
But he insisted: “Other than the use of less guitar, I’d like to point
out that there really isn’t a common sound that I have had in the
past.”
And no, despite both Cornell and Timbaland being strong music personalities
and having strong opinions about their music, working on Scream wasn’t
as difficult as some might assume.
“It was easy because I wasn’t going in with a good idea of what I
wanted. I think we stayed out of each other’s way a lot,” said Cornell.
“We were both working to create an album, but we were both trying
to beat the last thing that we did.”
Then again, Cornell hasn’t been one for sticking to the same old routine.
Even in his days with Soundgarden, Cornell has always tried to push
the boundaries of the musical envelope. In terms of musical exploration,
Scream is no different.
“A song like Time reminds of a period of time, the late ’60s and early
’70s. It was an exciting period in music, the music was soulful and
lyrically it was juxtaposed with unrest, an outward and inward look
at what was going on at the time,” he said.
“I feel like a couple of songs from Scream really strike that chord
for me. Time is one of them, Ground Zero is another.”
And in the spirit of change, Cornell says he doesn’t miss being in
a band, even though both his band outings saw him achieve his greatest
success.
“Truthfully, I wouldn’t be able to tour as much as I do, or make records
as often or experiment as much in a band. Because I’ve found that
bands, particularly after some success, don’t want to work as hard
as I do. Everyone seems to want to stay home, do their hobbies and
things other than write songs, make records and tour.”
Will his love of touring bring him to our fair shores? “There’s a
very good chance I’ll be there. I’d love to come to Singapore. I’ve
been asking about it for the past year and a half now, so I’ll definitely
be able to do it!”